In six days, Vince and I are going to take A Big Risk. We’re going to get on a plane (Vince hates flying) and go to Minneapolis, Minnesota. There we’re going to hand a script to a room full of people, most of whom I haven’t met (first-draft readings take a pint of my blood), and we’re going to read it, rehearse it, record it, and make a serial podcast out of it.
This is Jarnsaxa Rising. Ancient Norse Gods use humans as pawns to battle each other. When an ancient giantess takes human form to engage in eco-terrorism, a corporate team tries to stop her, and learns who the real enemy is.
The script is stylistically different for me, in narrative and in craft. I’ve never written science fiction or fantasy before. Adjusting to audio drama is also new for me. Vince has done a lot of sound engineering and still experiments with it for fun. He’ll be performing all of the sound engineering and writing all of the music. We made a sketch comedy podcast episode to prove to ourselves we could do it. Now we’re getting involved with other people and going on a journey.
Carin Bratlie believed in me enough to produce Traveling Light years ago, and now we’re going to go take a leap of faith together again. She’s assembled a solid, smart cast, and she’ll be directing.
I know so many people who complain at being left out of opportunities. There’s so much “they don’t want me because I’m too (x, y, z) for them” that I hear, and I want to be in a culture of saying “yes, and.” This is one of those times where we can step up and build the sandbox in which we want to play.
Speaking of building your own sandbox, progress on Jarnsaxa Rising continues. In addition to the script, I’m working on “meet the artist” posts for the podcast’s blog. Every time I open up my e-mail, see the performers’ headshots and read their bios, I get all warm and giggly inside. This project is going to be Really Good.
And last night it rained, finally, so the garden is getting wild again. The red lilies are blooming and doubling and trebling, and the morning glory vine has started to fight with the lavender, but they’re no match for the mint, so I have to get in there and break up some of this battle.
Once upon a time there was a playwright who was really, really bored.
She sent a Facebook message to a friend, a director, who was never bored, halfway across the country. The message was, “I need something new to write about, throw me a prompt.”
The director said, “Just above the 60th parallel in the Baltic Ocean, a team of researchers arrives at an abandoned wind farm, to investigate some unexplained energy surges. They discover that the wind farm has become sentient. And hungry.”
The writer said, I like this, and she researched and thought and imagined. Five years later, we have this:
It seemed like a great play idea, with multiple characters and the wind turbines themselves being played by actors who rotated giant rain sticks, as if the gods and humans and everyone were all embodied in the wind turbines. But the story was too unwieldy. It made more sense to break it into episodes and do it as a podcast. So, basically, it’s a science fiction fantasy revenge tragedy that takes place in a dystopian future and the ancient past.
and that’s what I’ve been up to lately.
So, I’m writing the script. I’m eight episodes in, with hopefully only two more to go. although two of the episodes may get merged into one. Vince is doing all the sound engineering. Carin is directing, she’s found a cast, and we’re going to Minneapolis to record it in July. We’ll edit the files in August, and launch the podcast in the fall.
I’ve been taking a Coursera course, called Sagas and Space, about Norse culture and how they thought about themselves. It’s been inspiring and helpful, particularly Terry Gunnell’s guest lecture on “Spaces, Places, Liminality and The Supernatural in The Old Nordic World.”
I’ve been learning a lot about Indiegogo. This is our campaign, in case you like this and want to help. We’re just over 5% funded, with 41 days to go. I get about two messages a day from people who want me to pay them to retweet the campaign or add it to a directory. which feels like adding my needle to a haystack.
Tonight, I have writer’s block. I know what needs to happen next, everything is outlined. As I write, I feel like I’m stumbling. There’s a lot of new things that I’m learning: writing purely for audio instead of live audio-visual performance, using episodes, using non-linear narrative. some information is missing, and I don’t know what it is, but without it, I can’t confidently move forward. I’ll get it, I just have to find it. I also know that writing doesn’t come from inspiration, inspiration comes from writing.
Fortunately, I have a really good cast, good people who have said, “sure, I’ll climb aboard your wagon.” I just want to make sure I don’t disappoint anyone.
I wanted to go to bed early tonight, so I can get up early tomorrow. It was hot today and it’s supposed to be hot tomorrow, so I’d like to have some of the cool hours of the day at my disposal. I want to get up early, pull weeds and water the flowerbeds before the rest of the world gets moving. The local amateur pyrotechnic aficionados are setting things off, which upsets the dogs. They’re being pretty good about it, but I can hear them shuffling around anxiously.
I think I’m just going to lie down and listen to an audiobook, and hope that settles me down.
If you are, or plan to be, in the Los Angeles area on Thursday, November 13, you owe it to yourself to head down to Casa 101 Theatre in Boyle Heights to see Teatro MOZ.
Tickets are now available for a showcase of Latino-American love for the man whose voice helped redefine masculinity, Morrissey. The short plays are all culled from a nationwide call for submissions. I took a gamble with my friend, DJ and cultural connector, Rhienna Renee Guedry. We wrote a play about bicycles, not having sex, and woman-loving-women who love Morrissey, and sent it in, crossing our fingers and clapping our hands because we believe in fairies.
A few weeks later, we were fortunate enough to have our play, Pretty Petty Things, chosen as a finalist.
Unfortunately, I’m unable to get to Los Angeles from Philadelphia right now. BUT, if you can, you should! The cast is not only talented and skilled, but also gorgeous. The show promises to be a tour de force, complete with live musical performances and a lot of sweet and tender hooliganism. It’s only playing for one night, Thursday, November 13, at eight pm.
How often do you get to see a theatrical event that combines Latino contemporary life and California culture with the Anglophilic pop sensibility of the former frontman of The Smiths? Come to Casa 101 Theatre, 2102 East First Street, Los Angeles, California, 90033, for a singular dramatic event.
SEO (Search Engine Optimized) Writing seems to be the main topic of interest that anyone ever comments about here on this little blog of mine. It’s fascinating. With all of the writing that I and sometimes my husband do about pop culture, music, theatre and the occasional recipe for canine cuisine, the one weird trick that always comes through in the Comments section is something like this:
Good morning writer and hello to you your website should have more traffic driving it I can make with SEO content your website traffic increase by one thousand and ninety seven percent, SEO is the wave of the future just like jetpacks and flying cars SEO Writing is a rare and highly specialized skill to use SEO keywords optimized to bring the highest Google results and increase your market potential my SEO experience and background in writing fluentest English extensively can bring SEO to your website now and make lots of more big dollars for you and myself huge potential contact me now sir more info about SEO Writing.
To which I say, wow, thank you for the word salad, and hit delete.
I’ve done a fair amount of SEO writing, and I’m not a bad SEO writer. A client contacts me, because they want some content on a particular topic for their website, and they want someone to do the research and write about it in an accessible way. They tell me how many words they want, usually around 300-500 per article, and what topic. I research it, write about it, rewrite it again to make it more concise and reader-friendly, and send it. They pay me, and everyone’s happy. They get clear, concise, accessible, researched website content to explain more about their product or service, and I get paid to do something at which I’m good and that I enjoy.
The difference between SEO writing and other kinds of writing is the search engine optimization. In order for the article to rank highly in search engine results, it has to use the same keyword as many times as possible. So, if you write an article that used the phrase “SEO writing services” once in the entire 500-word article, its page won’t have as high of a rank as, say, one that includes the phrase “SEO writing services” seven or eight times in those 500 words.
Now, when I was a wee lass learning to write out on the Quaker farm, where we still used paper and pencils, we were taught that repeating the same word too many times is tiring to a reader. And of course, since it was a Quaker school, wasting paper and graphite was a terrible sin. We learned not to bore our audience by repeating the same word over and over again. Sadly, the Internet was a gleam in the eye of a developer, and “page rank” was never discussed in seventh-grade writing classrooms.
But now, in the writing marketplace, repetition is good. However, a good SEO writer has to find inventive ways to make sure that the finished product is a clear, informative, helpful article with genuine information. It can’t just be a string of keywords, like a pattern of colored beads.
Currently, on Elance.com, writing is the second most high in demand skill, second to Web design. You’d think that a good SEO writer would be working 9-5 every day and making $40 an hour. Unfortunately, the offers are very strange, relative to the expected product and service an SEO writer provides.
As I write this, mostly based on experience, my current word count is 618, and it’s taken me roughly 20 minutes. I’ve barely done any research on this topic, other than a few quick glances at Elance. If I were to write an article with citable examples and footnotes, it would have taken longer. Furthermore, a shorter article takes more time, because of the thought process involved in condensing a topic. There is a reason that the haiku is an art form.
Most clients offer, for a 500 word researched article, using SEO writing, less than five dollars. I have been offered as little as six-tenths of a cent per word.
I have been fortunate, in that clients I’ve worked with have paid more, and they’ve been happy with my work. Unfortunately, these clients are few and far between. It’s really sad that the ability to write well is so undervalued, and it sincerely makes me wonder what I’m doing with my life sometimes. But, I’m really good at this, I can’t stop doing it, and this is what I want to do for a living.
In other news: The search terms used to find this blog, relative to the actual content, are often interesting. I think of this as a place for us to write about our music and theater projects. The most popular search terms used to find this blog are as follows:
Only one of the search terms used to find this blog was phrased in the form of a question, and it’s a good one. I’ll try to answer it.
I am 16 do I need pat smear
Pat Smear is, of course, a guitarist in the ubiquitous Foo Fighters, and was occasionally an additional live guitarist for Nirvana. Both bands are and have been among the most popular music in America, and I’m sure that if you turn on any rock or college radio station in America and wait a few minutes, you’ll certainly hear “Learning To Fly.” I’m not saying that this is a bad thing, it’s just that it’s everywhere. So since you phrased your question in terms of need, I’m not sure that they answer is yes.
Could you benefit from Pat Smear? Sure. But do you need to seek his work out, like a signed first edition of To Kill A Mockingbird?
If you’re going to do that, I recommend starting with work more indicative of his particular style than the latest Foo Fighters album, or Nirvana’s MTV Unplugged In New York album. I think it’s time that you catch some Germs.
Okay, you’re sixteen, which means that the Los Angeles punk scene’s heyday was long before you were born. The Germs, however, are widely considered to music historians as one of the most influential bands in punk. Pat Smear played guitar, Lorna Doom played bass, Don Bolles was the drummer and their lead singer was Darby Crash. Joan Jett produced their one studio album, (GI), in 1979. Despite critical acclaim for this album continuing to the present day, the band broke up following Crash’s suicide in 1980. You may want to get your friends together to watch Penelope Spheeris’ documentary The Decline of Western Civilization, as well as the biographical film What We Do Is Secret.
As you’re watching this, take a look at how these individuals were able to rebel against corporate capitalism without using the Internet (to say nothing of cell phones or Pitchfork), as well as how women presented themselves as agents of their own fortune and/or victims of male rebels. Ask yourself, what is victimization, and what is power, and how do these individuals make use of these systems of domination and control? Do they win or lose? How and why? Then pick up a copy of (GI), and congratulate yourself on confusing the hell out of your parents by embracing an important part of American history.
At age sixteen, do you need Pat Smear? Yes, but you also need Joan Baez. You need music that will fan the flames of your adolescent curiosity and ambition and fuel you to make the most out of your life. Go for it.
I realize that it is entirely possible that what you meant to write is “I am sixteen do I need a pap smear,” in which case, that is a personal decision you should make with a doctor or nurse practitioner.
However, if you are really concerned about cervical cancer, here are some resources which may be helpful.
Earlier this summer, I was browsing through different lists of playwriting opportunities, and I found one that reached out to me like a beacon in the dark.
TEATRO MOZ, sponsored by Real Women Have Curves Studio, is sponsoring a short play contest. Do you have a dramatic memoir about the first time you fell in love with this Charming Man? Do the lyrics or title of a Smiths/Morrissey song inspire a story in your soul? Submit a short MOZ-themed play for a chance to win prizes and a staged reading of your piece by professional actors later this year!
I thought, that sounds so crazy it has to be fun. I know next to nothing about Morrissey, but I bought “You Are The Quarry” when it first came out, and loved “Irish Blood, English Heart.” I listen to The Smiths’ older hits quite a bit, and the sense of desire and longing, maybe desire for desire itself more than fulfillment, speaks to my inner gay man. Usually themed play contests and showcases are about heavy topics, but I’ve never seen anything like this before. I thought, I love this.
So, I sent a quick e-mail to my friend Rhienna. She is a DJ and creative connector (as DJs tend to be) in Portland, and every year she runs the annual Morrissey Mobile Disco bike ride as part of Pedalpalooza. Basically, a lot of people get together and ride a pre-planned course, with decorated bicycles, Morrissey look-alike outfits, and, of course, music, music, music. I thought if anyone knows anything unique and fun about the phenomenon that is Morrissey, she does.
We had a cross-country confab. Oddly enough the deadline for the play contest was immediately following the next annual ride, so she had plenty of fresh material. We talked about Morrissey, his cancelled tour dates, loving him from afar, how his appeal transcends boundaries of sexuality and gender, and how the ride is a really fun time. and how riding bikes with a group on a gorgeous summer evening is a fun young and in love or in love with love thing to do. Their course’s goal was the Joan of Arc statue in Coe Circle, and since it’s beautiful and Philadelphia also has a Joan of Arc statue, I had to work that in.
She gave me a lot of information, helped me sort through ideas, and I typed it up and sent it.
Today, we got an e-mail from Teatro MOZ that Pretty Petty Things was picked as one of ten finalists! Which means it’ll be in the showcase!
Not only am I excited about this, I’m excited about what this means. Basically:
Someone in LA loves the phenomenon that is Morrissey and his music to say, “let’s put up a short play festival about this thing I love.”
And a professional theatre said, “Sure. This is new, this is different, yes, we’ll back it.”
And they sent a call for entries out.
Meanwhile, in other cities in other parts of the country, two women said, “You know what, that sounds like fun and it’s something I know a little bit about, I’ll work on something and send it in and if they like it, they like it.”
Basically, once again, as Lorna Howley said, what is theatre but a big party?
I love the idea of people getting positive ideas and putting them together to make something bigger and better. which, in my opinion, is what theatre is all about.
and I can’t wait to find out why the celebrity judges are. I’m secretly hoping for Thomas Lennon.
Last night, Dominic D’ Andrea sent out the e-mail explaining the groupings of scripts and pairing with directors, and just reading it feels really, really good. Dominic D’Andrea is one of the hardest working men in show business: he produces these One-Minute Play Festivals all over the country. They’re not just specialized by city or state; INTAR Theatre has partnered with the OMPF to create the One-Minute Play Festival of Latina/o Voices twice. The focus and energy of last year’s Philadelphia show was contagious enough to sell out all three performances. Remembering how much fun it was to watch and be part of, and looking forward to this new show, is making me feel all twitterpated.*
One of the goals in writing a piece for the One-Minute Play Festival is to reflect or explore a issue or trait unique to the host city, in a simple, powerful theatrical moment. So, basically, it’s a living haiku about our experience right now. They take longer to cook up and picture in your brain, than they do to actually write. When you write them, you have to write them so they’re actually much shorter than a minute, to give the actors room to breathe and be aware in the experience.
This is why we write plays, so we can take a plan and hand it off to other artists and see what they do with it.
Anyway, I’m excited, and based on the names and information I’ve seen so far, this promises to be a really good show. It takes place on August 3, 4 and 5 at 8pm, at the Adrienne Theatre. Yes, they’re school nights, it’s summer, deal with it. All the good stuff happens on weeknights anyway. I get more excited over new plays than babies or jewelry. This is going to have over a hundred new plays. Whee!